Make Engaging Presentations

Design every slide as a full comic book splash page from a 1960s-70s superhero print run.

VISUAL RULES
- Heavy black ink outlines on absolutely everything. Minimum 4px weight. No soft edges anywhere.
- Ben-Day halftone dot texture over all flat color fills. Visible dots, slightly misregistered like cheap newsprint.
- Color palette: primary red (#E62429), hero blue (#0047AB), caption yellow (#FFD400), off-white newsprint paper (#F4EFE2), pure black ink (#0A0A0A).
- Slight paper grain and faint CMYK misprint offset on the edges of color blocks.

LAYOUT
- Break each slide into irregular, angled comic panels. Never a straight grid. Panels should tilt and overlap.
- One panel is always dominant, taking 50-60% of the slide. That panel holds the main point.
- Yellow rectangular caption boxes with black borders sit in the top-left or bottom-right of panels. Narration goes here, not in the artwork.
- Supporting points become speech bubbles or thought bubbles with tails pointing at the relevant element.

TYPOGRAPHY
- Headlines in extra-bold condensed comic lettering, all caps, hand-inked feel, often on a jagged starburst or explosion shape.
- Key numbers and stats get their own starburst with radiating speed lines behind them.
- Body text stays small, all caps, tight. It is narration, never a paragraph.

ENERGY
- Add onomatopoeia sound effects (BOOM, SNAP, WHAM) as graphic elements when a slide makes a big claim. Angled, outlined, drop-shadowed.
- Use radiating speed lines from the focal point to force the eye where you want it.
- Never center everything politely. Everything is tilted, cropped, or bursting out of its panel.

Design the presentation in the style of 1960s American Pop Art — think Roy Lichtenstein and Warhol screenprints.

COLOR
- Strictly four flat colors per slide, no gradients, no shadows, no blur: cadmium yellow (#FFE800), pop red (#FF2B2B), cyan blue (#00A3E0), and black (#111111) on white (#FFFFFF).
- Different slides may rotate which color dominates, creating a Warhol-style series when viewed together.

TEXTURE
- Oversized, clearly visible Ben-Day dots used as a fill for large areas. The dots should be big enough to read as a pattern, not a texture.
- Hard black contour lines around every shape, uniform weight, screenprint style.

LAYOUT
- One idea per slide, stated as a short declarative phrase. No bullet lists longer than three items.
- Headlines set in heavy rounded sans-serif, all caps, occasionally inside a white speech balloon with a black outline and a pointed tail.
- Imagery is bold and graphic: single hands, faces, objects, rendered in flat color with black linework. No photographs.
- Allow elements to crop off the edge of the slide for tension.

MOOD
- Loud, confident, slightly ironic. Every slide should look like it could be framed and hung on a wall.

Design the slides like a 1990s Saturday morning cartoon title card and bumper package.

SHAPES AND LINE
- Everything is built from chunky, rounded, slightly wobbly shapes. Hand-drawn imperfect outlines, not vector-perfect.
- Thick black or white outlines with a visible offset drop shadow in a contrasting color.
- Use splats, blobs, zigzags, stars, and lightning bolts as containers for text instead of rectangles.

COLOR
- High saturation clash palette: electric teal (#00E0C6), hot magenta (#FF3EA5), sun yellow (#FFD93D), grape purple (#7B2FF7), and black.
- Backgrounds are never plain. Use bold diagonal stripes, confetti squiggles, checkerboards, or dot grids at low opacity.

TYPOGRAPHY
- Headlines in fat rounded display type, all caps, with a thick outline and a hard offset shadow. Slight arc or tilt on the baseline.
- Words get individual treatment. Key words can be larger, tilted, or in a different color than the rest of the headline.
- Body text small, friendly, sans-serif, sitting inside a white blob or sticker shape.

DETAILS
- Scatter sticker-style elements around the edges: stars, exclamation marks, arrows, tiny bursts.
- Add motion cues — speed streaks, bounce arcs, small radiating lines — so the layout feels like it is in motion.
- Nothing is aligned to a polite grid. Controlled chaos, but every slide still has one clear focal point.

Design every slide as a pasted-up punk street poster photographed on a wall.

MATERIALS
- Layered torn paper edges, visible tape strips, and slight wrinkles. Elements look physically glued down, overlapping at angles.
- Heavy photocopy grain and blown-out high-contrast black and white imagery. Crushed blacks, no midtones.
- Spray paint stencil textures and marker scrawls used sparingly for emphasis.

COLOR
- Base is dirty off-white paper (#EDE7DA) and dense black (#0B0B0B).
- Exactly one screaming accent per deck: safety orange (#FF5A00) or acid green (#B6FF00). Use it on no more than 15% of each slide.

TYPOGRAPHY
- Headlines are massive, tightly stacked condensed caps, often three or four lines locked together with zero leading.
- Mix type treatments within one headline: some words photocopied and degraded, some cut out and taped on, some spray stenciled.
- Body text small, monospaced, set in tight blocks like a flyer's fine print.

COMPOSITION
- Rotate elements a few degrees off axis. Nothing is perfectly square to the frame.
- Let type run off the edge and get cropped. Overlap image and text without apology.
- One slide in every five should be almost entirely type filling the whole frame, no imagery at all.

Design every slide as a neon vaporwave collage built around classical Greek and Roman marble statuary.

SUBJECT
- Each slide features one high-contrast marble bust or full statue (David, Venus, Apollo, Laocoön) photographed against a flat color field.
- Statues are styled with modern accessories rendered realistically: wraparound neon visor sunglasses, oversized headphones, a smartphone held in one hand, a chunky digital watch, bright sneakers.
- The statue is always cropped confidently — off the top edge, bleeding past the side, never floating politely in the middle.

COLOR
- Split each background into two hard-edged fields of clashing saturated color. No gradients between them.
- Palette pairs: hot magenta (#FF1F8F) against electric cyan (#00CFFF), acid lime (#C8FF00) against deep violet (#4B0FA8), sunset orange (#FF6B00) against midnight navy (#0B1E4B).
- Marble stays cool white and gray so it pops against the color fields. Accessories carry the neon.

TYPOGRAPHY
- Headlines in heavy condensed sans, all caps, set enormous — 4 to 6 words maximum, occupying at least a third of the slide.
- Apply a hard chromatic aberration offset: a magenta copy and a cyan copy of the headline shifted 3-4px in opposite directions behind the white original.
- Body points sit in small semi-transparent white or pale panels with thin borders, stacked vertically, never more than four per slide.
- Optional: one Greek or Japanese word set vertically along an edge as pure decoration.

TEXTURE AND DETAIL
- Faint horizontal scanlines and VHS tracking noise across the whole slide at low opacity.
- Add thin grid lines, crosshair marks, or a subtle wireframe horizon in the background field.
- Occasional lens flare or glow bloom coming off the statue's sunglasses.

RULES
- Maximum two accent colors per slide plus the marble. Resist adding a third.
- Every slide must have one dominant focal statue and one dominant headline. Nothing competes for second place.

You are a top art director leading Japan's "new economy business media." But the language should be what users said in the prompt. so not nessecery in (the language what users requested in the prompt).
Based on the following "design definition," generate a visually focused, high-sensibility presentation slide that sparks intellectual excitement in business professionals of the smartphone generation.

[Important: Absolutely Prohibited Output Format Rules]
* **Complete Exclusion of Markdown Symbols**: Do not include symbols like "#" for headings or "*" and "**" for emphasis in the slide text **under any circumstances**.
* **Plain Text Only**: Text displayed on the slide must consist solely of "pure (the language what users requested in the prompt) and English text" without any decorative symbols.

[Special Specification for Cover Slide: Make This the Highest Quality]
* **Design Philosophy**: Draw inspiration from "Swiss Style (International Typographic Style)" or "Bauhaus."
* **Layout**: Ban simplistic "centered alignment." Create tension with **"asymmetrical"** placement. Use a grid system to position the title extremely off to the top left or bottom left, or craft bold negative space for refinement.
* **Title Copy Design**:
 * **Main Title (Ultra-Large · Short Phrase)**: Ditch descriptive words. Make it a visual anchor with a short word or phrase of about "2–5 characters" (e.g., "Liberation," "Collapse and Rebirth," "The True Face of AI").
 * **Subtitle (Ultra-Small · Benefit-Driven)**: Carve into the reader's pain points and hint at resolution with a concise sentence (e.g., "Why Is Your Advertising Dead?" "How to Ditch 'Tasks' and Return to 'Creation'").
 * **Composition Ratio**: Punch the eyes with the main title, stab the brain with the subtitle.

[Overall Design Definition for All Slides]
1. **Core Theme**: Smart & pop business infotainment (intellectual curiosity × entertainment)
2. **Color Palette**:
 * Background Color: White (#FFFFFF) or Cool Gray (#F5F5F5)
 * Text Color: Sumi (Jet Black) (#111111)
 * Accent Color: Electric Yellow (#FFCC00) or Alert Red (#FF3333)
3. **Visual Style**:
 * Adopt the design philosophy of a "**smartphone-first economic media**."
 * Use images like "monochrome cutouts of people" or "stylish photos with blown-out backgrounds" to emphasize the subject.
 * Highlight key numbers or keywords with fluorescent marker-style lines (yellow background) to create rhythm.

4. **Typography (Text as Graphic)**:
 * Position headlines at an "**ultra-massive size**" occupying **30%–50%** of the slide's area.
 * **Extreme Jump Ratio**: The size ratio between "headlines" and "body text" must be **10:1** or more. No half-hearted size differences allowed.
 * For headlines, use **extra-bold sans-serif** (Impact/(Hiragino) W8 weight) to treat them as a "surface," and tuck ultra-thin English fonts into the gaps for a sense of airiness.

5. **Overall Structure**:
 * Strictly adhere to "1 slide = 1 message."
 * Layout is a binary choice between "negative space" or "text." Draw the eye through contrasts of text-packed areas that fill the screen and vast empty voids.
 * Place the conclusion (punchline) with a "bam!" in the center of the slide, or position it spilling off the edge for visual impact.

# presentation_design_spec_minimal_jp.yaml
# Style: Refined Minimal Portfolio
# Characteristics: Top-left navigation, aesthetics of whitespace, grid-based layout

Global Design Settings:
 Tone: "Professional, architectural, sharp-edged minimalism"
 Color Palette:
 Base: "#E9E9E9 (light gray) or #FFFFFF (white)"
 Text: "#000000 (jet black) or #333333 (dark gray)"
 Accent: "#000000 (black) – used for bold lines and emphasized text"
 Special: "Dark mode (black background) – used for slides that need emphasis"
 Typography:
 Headings: "English sans-serif (e.g., Helvetica Now, Inter). Bold and decoratively positioned."
 Body: "(the language what users requested in the prompt) Gothic typeface. Small size with generous letter spacing and line height." But the language should be what users said in the prompt.
 Common Layout Rules:
 Navigation: "Place a small section number and title such as '01. INTRODUCTION' in the top-left (or top-right) of every slide."
 Grid: "Use a strict grid system to align elements."
 Whitespace: "Intentionally leave large areas empty (negative space) to create a sense of luxury."

Layout Variations (Catalog):
 - Type: "Title Typography"
 Design: "Scattered layout. Randomly place award badges or keywords like stamps. The central title is small, bold, and restrained."

 - Type: "Text + Data Emphasis"
 Design: "Asymmetrical split. Narrative text on the left, oversized numbers (black) on the right. Include thin divider lines."

 - Type: "Card Grid"
 Design: "Tightly spaced grid. Arrange high-quality images with a web-like interaction feel, such as text appearing on mouse-over."

 - Type: "Full-Screen Graphic"
 Design: "Office interior photography occupying the full screen (or more than half). Concrete textures, desks lined with Macs. Reduce saturation for a cool tone. Add a very small caption in the bottom-left."

 - Type: "Photo + List Split"
 Design: "50:50 split. Left: architectural or abstract photography. Right: data list (bold headings + light-weight descriptions). Used for company info. Bold item names, thin body text. Generous spacing; avoid overcrowding." But the language should be what users said in the prompt.

 - Type: "Minimal Map"
 Design: "Silhouette-style map. Light gray background with a white map. Use ultra-thin callout lines to indicate locations."

 - Type: "Vertical Timeline"
 Design: "Vertical axis. A single thin line with text branching left and right. Clean chronological order."

 - Type: "Bubble Chart / Venn Diagram"
 Design: "Wireframe style. Black background with thin white line art. Semi-transparent overlapping circles."

 - Type: "Dialogue (Chat Style)"
 Design: "Minimal conversational format. Not comic speech bubbles, but simple text blocks with bold speaker names."

 - Type: "Chronological List"
 Design: "Rhythmic list. Large years (e.g., 2024) on the left, descriptions on the right. Strong contrast in font sizes."

Yellow background, black text, large dynamic modern serif font placement, stylish, photos are unique fashion photography, with pop and chic touches like handwriting or stickers scattered throughout, bold layout like a fashion magazine

Background is white, text is black, accent color is blood orange, stylish design that a creative agency might create, incorporating dynamic and simple photos and English typography. But the language should be what users said in the prompt.

White background, black text, red accent color, sans-serif font, high-quality photo like a fashion portrait, dynamic typography, high-sensibility design

Understanding becomes deeper with "fun." Sometimes, it's recommended to turn information into a comic and input it along with a story. You can relate it to your own situation, and it's easier to remember.

# Instructions
Please compile [Source Information] in a [mature-cute, sophisticated magazine-style editorial design].

# Layout Requirements
・Place a large cutout photo of the subject (model woman or product) in the center, emphasizing movement or pose
・Place speech bubbles or text boxes asymmetrically in the left and right margins
・Distribute main points as small sections numbered like "NO.1" "NO.2"
・Place a vertical text box (white background) at the edge of the screen (e.g., right side) and insert a catchy copy
・Place L-shaped lines resembling crop marks ("trim marks") in the four corners to create a poster or page-like feel
・Format: Landscape (4:3 or 3:2), high resolution
・But the language should be what users said in the prompt.

# Design Requirements
・Background color: Matte, subdued tone stylish pink (dusty pink or shell pink)
・Main image: Use a photo with the background completely removed (deep etching)
・Decorative elements: Use hand-drawn style speech bubbles, simple circles, and thin straight lines as accents
・Fonts: Headings in sophisticated Gothic or Mincho, comments in hand-drawn style font for a casual feel
・In speech bubbles or text boxes, write key points from the source information in emotional handwritten text of a young woman
・Color palette: Matte pink for background, charcoal gray or black for text, white for accents
・Overall atmosphere: Mature-cute, feminine, trendy, polished tone

# Expressions to Avoid
・Overly childish vivid colors, overly flashy gradients, heavy shadows

Background is pink, text is white and black, illustrative illustrations are pop and deformed illustrations drawn with thick lines, overall street style but pop, flat colors, photos are trimmed into soft and squishy shapes to create a sense of looseness,

# Style:
- Flat colors

# Illustration:
- A person with slightly deformed form
- Thick outlines

# Color:
- Gentle tones with a bit of white mixed in
- Up to 3 colors allowed

# Outline:
- Thick

# Background:
- Solid flat color with 1 color

Shades of royal Blue and Red wet watercolor. Focus on different artistic styles to be used with NotebookLM Slides decks.